Just a quick update to say that my story, ‘The Waiting Game,’ is available now in the sixth issue of Aphotic Realm magazine. Subtitled Fangs, every story in this magazine concerns some kind of sharp toothed creature. The magazine features stories by myself, Christopher Stanley, Joanna Koch, Michael Carter, Chris Martin, S. J. Budd, Kenneth Tilford and Tom Over. It also features a comic by Marcello Bondi, non-fiction by Toni Miller and an interview on how to make a monster, with the legendary Adam L. G. Nevill. Edited by A. A. Medina, Dustin Schyler Yoak and Chris Martin and with glorious cover art by Russell Dongjun Lu, this is something you’ll want to check out.
After something of a hiatus over here on the site, I have some news of new releases. First up is that a story of mine – ‘The Waiting Game’ – has been included in the latest issue of Aphotic Realm magazine. In this issue, subtitled ‘Fangs,’ all of the included stories will include fanged creatures. Think dogs, wolves, rats, bats and more besides. My story is a revenge tale with a difference. I won’t yet reveal which species of fanged fiend I included in ‘The Waiting Game.’
The magazine will be released on March 15th and pre-orders will open soon. In the same issue, as shown on the image below, there are stories from a host of talented writers, including Joanna Koch, Christopher Stanley and S. J. Budd, as well as a feature interview with the incredible Adam G. Nevill. This is a magazine that I’ve long wanted to be a part of, so I’m delighted to see it happening.
While details are still being worked out, I have signed a contract for a novelette to be released as a standalone title, as part of Demain Publishing’s ‘Short Sharp Shocks’ range. The first wave of this series emerged just this week, with a host of excellent writers, including Stephanie Ellis and Dean M. Drinkel, who heads up the imprint, among others. My story is a work of folk horror and there will be a cover reveal in due course.
Edited by John Baltisberger and released through his Madness Heart Press imprint, Creeping Corruption is an anthology of horror stories focussed on the idea of corruption itself and its irrepressible spread. This corruption is manifest in the physical, as in my story, ‘Contaminated’ – about a species of mould that willfully consumes everything before it – to the psychological corruption of the mind, to financial and political corruption, eating at the heart of society.
As part of the promotional efforts to get the word out about this anthology, I will be participating in my first podcast interview, about what inspired the story and more, besides. More information on that when I have it and, in the meantime, you can buy your copy of Creeping Corruption, here.
2019 is off to a flyer, with this first release of the year, Terror Politico, released by the excellent people at Scary Dairy Press. Edited by Broos Campbell and Cin Ferguson, this anthology takes an irreverent look at the politics of today – often the politics of fear – and uses the lenses of science-fiction, horror, bizarro and other genres to do so.
My story, ‘No Such Thing As A Free Lunch,’ takes the case of a businessman-turned-politician in the USA, who claims to be there to help the little man, while the reality is something altogether more sinister. No prizes for guessing who might have inspired the story.
While the story is set in the US, the themes, both in my story and in the anthology overall, are evident in much of the world today, where consideration, nuance and the greater good are being sidelined by populists in exchange for buzz words and scapegoats.
I do hope you will check the anthology out. It is only available in paperback at this stage, but a kindle edition is coming very soon and 10% of all proceeds go to the UNIDOS Disaster Relief and Recovery Program, to help the residents of Puerto Rico, who are still suffering immensely from the after effects of Hurricane Maria.
Pick up your copy here.
2018 was my second full year since I stopped calling myself an ‘aspiring’ writer and just got down to writing. At the beginning of last year, I set myself the target of matching my 2017 publishing credits and selling my first piece of long-form fiction, a novella which I wrote in the late summer of 2017. Finally, I wanted to complete another piece of long-form fiction.
I actually missed the first of those targets but, when I look back at what I got published and where over the last year, I can’t help but feel positive.
Being a part of the amazing anthology that was Lost Films, put together by the incredibly talented duo of Max Booth III and Lori Michelle was a highlight and a huge boost for my confidence that the best of my work is good enough to stand alongside people who I admire in the field.
I’m also immensely proud of the first not-exactly-horror piece, ‘Muscle Memory’ which found its way into print at the very end of the year, with Renaissance Press’ We Shall Be Monsters anthology, edited by Derek Newman-Stille. This book looks so beautiful and takes such a broad and progressive approach to reflecting on The Modern Prometheus, two centuries after its first release. I cannot wait to get my contributor copy into my hands.
Finally, I am simply delighted with the work which the team at The Other Stories have translated to audio fiction. The work of the narrators, the sound effects team, the curators of the music to accompany each tale and of Luke Kondor and the others in editing the stories, and making it all happen, is amazing. Being published there has opened up my writing to a host of new readers and listeners and I thank them for that opportunity.
So I look at my failure to hit my publishing target in 2018 and realise that there is much to be pleased with and I find myself in a great position to push on in 2019.
As for my other target, I have successfully sold my first book, a supernatural horror novella, which riffs on the legend of Baba Yaga. I cannot reveal more at this stage, but the contract is with the publishers and the editing process will begin shortly.
My final target, to complete a second long-form piece, came very close to completion but, alas, I remain a few thousand words or so from the end of the first draft. A very busy November, some pressing short stories and a holiday in Spain at the end of the year meant that my current novel WIP will not now be done until into the first week or two of January 2019.
What does 2019 have in store?
In short fiction, I am looking to build on my 2018, by targeting high-calibre publications, where my work can be measured alongside the writers whose standards I aspire to emulate in the future. Several stories are out for submission at the moment with excellent publications and I will endeavour to ensure that is a permanent state for me. Finally, I am also looking to self-publish a Kindle-single of one of my stories, the rights to which have recently come back to me. This is both to give more instant access to my work for new readers and to experiment with the self-publishing format in a low-risk way.
In long form, I aim to complete the novel I am working on quickly, before burying it for a couple of months prior to editing. I also aim to complete one or possibly two novellas which I have sketched out. I am also considering a re-write of a black comedy I started some years ago.
On a personal level, I want to attend at least one convention in 2019, likely in the UK, in order to put faces to names and, if the stars align in terms of dates, to try to promote my book.
Whatever it is that you are doing in 2019, I wish you luck with it. Thanks for reading.