And don’t forget to use the coupon code Balance2020 at checkout. Note the capital B in Balance there, people.
So, today’s the day. The Balance is out! Seeing my book out there in the world, two and a half years after I first wrote ‘The end’ is a surreal feeling. But a satisfying one. Early reviews have been really positive and, while no book is ever going to be for everyone, I’m pleased it’s resonated with some of the readers who’ve read it to date.
As is the way with life, nothing is without its little hitches. Amazon delisted the release, two days before launch without any real explanation as to why. So, if you want to get hold of it and can’t wait for Amazon to sort themselves out, you can pick it up direct from the publisher, in eBook format here, audiobook here & paperback (in North America), here. Until May 4th, both eBook and audiobook can be picked up with 50% off, using the promo code StayAtHome .
If you do pick it up and check it out, please do leave an honest review on goodreads and/or amazon. It makes a world of difference. Aside from that, leave me a comment here on the website, or tweet me. I’d love to hear how you get on with it.
Finally, I just wanted to say a massive thank you to everyone in the horror community who has helped me to promote the release. To Kendall Reviews and the Gingernuts of Horror as well as S.J. Budd and Aphotic Realm, for hosting early reviews. To Sci-fi and Scary and Janine’s Ghost Stories for having me on for some really thoughtful interviews, to the fantastic writer Dave Jeffrey for his dream-come-true blurb of the book, to the Staring into the Abyss podcast team and just to anyone that has retweeted, shared or talked about The Balance to anyone. I try to thank everyone, but if I’ve missed you, THANK YOU so very much.
Now, it’s back to work on the new novel.
It’s both a tremendously exciting and a terrifying time for me, as my debut novella now has a release date. On 28 April, The Balance will be available in all the usual online stockists, including Amazon, Barnes and Noble and so forth. The early release eBook and audiobook versions are available now, with versions appearing on Apple books, Audible and so on in the coming days and weeks. US readers can pre-order the paperback here. There are currently some problems with the Amazon listing of the book, so Kindle users will need to buy direct from the publisher at the link above.
Here’s the back cover synopsis for The Balance:
When myth becomes nightmare … The price of blood is always blood.
Natalia’s in trouble. She only looked away for a second, and now her brother’s hurt. Her relationship with her mother is fractured, her brother’s condition is deteriorating, and her only hope lays deep in the unforgiving forest. A secret spoken only in whispers offers a way out. But when help comes in occult forms a sacrifice may be the only way to restore the balance.
Humanity and nature collide in The Balance by Kev Harrison, a modern reimagining of the Slavic folk tale of Baba Yaga, set in Cold War Poland.
Though I’ve now lived and am very much settled in Portugal, I spent three incredible years of my life living and working in Poland. It was a place I knew little or nothing about when I arrived and one that shall now remain close to my heart and forever feel like home.
The person of Baba Yaga is just one of a multitude of characters woven into the fascinating (and often terrifying) folk lore of the Slavic nations. It’s easy to understand how dark folk tales manage to remain so vividly remembered and so present in modern culture when you consider the history of the place.
Few nations have had their borders redrawn as often as Poland and, of course, the scars of both World War II and its status as a Soviet client state throughout the cold war are particularly raw wounds. A friend of mine told me once, as I left the Schindler museum (from where Oscar Schindler saved thousands from execution) in a state of shocked silence, “You learn about history from books. We learn about it from our grandfathers.” Of course, a great many from Great Britain suffered immensely and gave their lives in the second world war, but the stories of Nazi occupation and the quasi-occupied state that followed liberation, with permanent states of rationing, corruption and constant fear for one’s life, explained much about the psyche of the people of the country. They also explained to me the way folk stories, myths and legends have retained their presence in society until today.
I chose this period of the Cold War, in a rural town, in the heart of a harsh Eastern European winter, as the perfect setting for supplies to run short and for desperation to lead people back to the old ways.
I’ll be writing more about The Balance in the coming weeks before the paperback release. In the meantime, here is a preview of the Audiobook, narrated by Desmond Manny:
My first ever solo release, Cinders of a Blind Man Who Could See, put out by the fabulous people at Demain Publishing, is now available in Paperback. With the original release almost a year ago now (its book birthday is less than three weeks away at the time of writing this post!), we wanted the paperback to be a bit special. So, having talked to Dean at Demain, we decided we would include a brand new, unpublished story, just for readers who pick up the paperback.
The story, ‘All My Bridges Burnt,’ is a very different sort of tale from ‘Cinders…’ It’s fast-paced and action-packed, and was based on a real-world urban legend of a haunting on the road in New Jersey, USA. It was great fun, reading up on the differing accounts of how the ghost-child manifests and then looking at the lay of the land on google maps and street view to get a sense of the geography.
I only hope that this bonus story is as well received as ‘Cinders…’ has been over the past year.
So, if you haven’t picked up Cinders of a Blind Man Who Could See yet, there’s never been a better time to do so. Order your copy here.
Released yesterday, 14 January, was Strange Stories Volume 1, the first in a new bi-annual series of fantastical, pulpy stories from Forty-Two Books. Edited by Daniel Cureton, the anthology is available in paperback and hardback editions only at the time of writing and weighs in at more than six hundred pages, across forty-eight stories.
Among them is my story, ‘The Dry Flood,’ a story set in Valencia, Spain and inspired by the tragic events of the great Turia flood which occurred there in the 1950s.
The story finds police detective Rodrigo Lopez facing up to a repeat of his only ever unsolved case – one which defies logic and points to something very strange happening, in modern-day Valencia.
I hope readers will enjoy it. The protagonist, in particular, is one of my favourite characters I’ve ever written.
You can grab your copy, here.