Below – back from the depths

My novella, Below, has resurfaced. After launching last summer, Below was selling steadily, until a meltdown with Silver Shamrock Publishing occurred and the book was pulled from sale, along with the rest of the publisher’s catalogue. Readers of my newsletter will now know that the wonderful Brigids Gate Press kindly stepped in and offered to put the book back out into the world. They had Kealan Patrick Burke of Elderlemon Design tweak the already incredible cover design to distinguish it from the original release and, as of the end of last week, my book is back out there in the world.

Wondering what Below is all about? Here’s the synopsis:

Decades after his grandfather was buried alive in a Californian gold mine, Dr. Nick Jones teams up with an adventure travel influencer to venture underground and film a documentary, telling the story of what really happened.

What should be a dream come true soon becomes a nightmare as someone or something stirs…BELOW.

I recently spoke to Edward Lorn, aka E, on his YouTube show, From The Desk, about Below. You can check out the conversation and find out a little more about it here:

If that’s whetted your appetite sufficiently, you can grab your copy of Below in eBook or paperback, here.

I wanted to go on the record to say that working with Silver Shamrock Publishing put my book into the hands of a huge number of reviewers and got it before an enormous number of eyes via social media. It also afforded me the chance to be edited by the brilliant Kenneth Cain, who taught me an enormous amount about writing technique, even in the process of tightening up this 150-page novella. I’ll be forever grateful for that.

It’s important to point out, though, that even before the situation which brought about the end of the press, there was cause for concern with the Silver Shamrock. I never received author copies of the original release of Below. Nor did I receive any royalty payments. Having spoken to other authors on the roster, I know that I was not the only one in this position. So, while I am saddened by the loss of a publisher who was prepared to take chances on stories other presses were not, it is a chapter which is perhaps better closed.

A Silent Dystopia and Hex-periments

This past week has seen not one, but two anthologies I’ve been incredibly excited about for a while. First up is A Silent Dystopia, from Demain Publishing. Set in Dave Jeffery’s A Quiet Apocalypse universe, this anthology features stories by the likes of Stephanie Ellis, Steve Stred, J A Sullivan, Morgan K Tanner, and myself, alongside some other amazing voices.
Some of the stories focussed on how apocalypse ‘preppers’ might handle the eventual coming of such a cataclysm, others on how a chosen few might reject the prejudices against the Deaf in this silent world, while still others – like mine – considered how some might try to help smuggle the persecuted to safety and the hazards they would face.
All in all, from what I’ve read so far, it’s a terrific anthology. If you haven’t checked it out yet, you can grab your copy in eBook here. The paperback version will be arriving sometime in early 2022. If you’re not familiar with the source text, you can get to grips with Dave’s brutal and emotionally difficult world here.
Massive thanks to David T. Griffith who went to pains to get these stories just right and to pay the best possible homage to the universe Dave Jeffery created. Also to Dean Drinkel at Demain for supporting the project, and to Roberto Segate, whose stunning art adorns the cover, as well as Adrian Baldwin who, as ever, created a dynamite overall cover design.

The second anthology – released today, no less, is Hex-Periments: A Dark Biotech Anthology. Surgically spliced together by the mad scientist duo of Ross Jeffery and Keith Anthony Baird, this one features stories by the editors themselves, Demi-Louise Blackburn, Tracy Fahey, David Sodergren, Dave Jeffery, Paul Kane and others, alongside my story ‘Cerebral Salvage.’ All the tales within the book feature dark biotechnological themes, often with black magic elements. With the calibre of authors on show, the quality of the stories is obviously very high, but what I love most about this anthology is that the proceeds are going to support homeless charities in the UK, something I hope we can all get behind. So, pick up a copy here and do some good, if you have the means to do so.

I did readings with snippets from both of my stories which feature in these anthologies on my YouTube channel recently. Check out the one for ‘Cerebral Salvage,’ below.

Were Tales: A Shapeshifter Anthology – Out Now

Were Tales: A Shapeshifter Anthology, featuring my story, ‘Refuge,’ was released yesterday through Brigids Gate Press. I was invited to contribute a story to the anthology by editor S. D. Vassallo, with the instructions to try and use a shapeshifter that wasn’t the archetypal werewolf.

I put my thinking cap on and started scouring the web and various folklore sources for shapeshifters from cultures around the world. After some narrowing down and plotting out of some potential scenarios, I was torn between the Kitsune of Japan – a magical were fox – and the Berserker of northern and eastern Europe.

Just as my indecisiveness was beginning to get me down, the central character of my eventual story, Johan, came to me in crystal clarity and I was set on the Berserker from there on in. Johan is an older protagonist. One who’s seen and done pretty much everything in his life and has the scars to show for it. But also someone who has rejected the violence of the past. Now he has something beyond himself to protect. I hope people will get as much out of reading the story as I did in writing it.

What I didn’t know when I sat down to write ‘Refuge’ was quite how talented the other writers and poets on the TOC were going to be. I’m honoured to share pages with people like Jonathan Maberry, Gabino Iglesias, Michelle Garza and Melissa Lason (aka the sisters of slaughter), Linda Addison, Eric J. Guignard, Cynthia Pelayo, Beverley Lee, Alyson Faye, Stephanie Wytovich, Laurel Hightower, Tabatha Wood, Stephanie Ellis, Catherine McCarthy … I could go on and on (and on!). Hell, even the introduction was written by a legend in Ronald Kelly. It goes without saying that I’m delighted to be among such talented people.

Already near the top of the ‘Hot New Releases’ list on Amazon for horror, I hope and believe this book is going to be a big hit. Don’t miss it, grab your copy here.

New novella, and anthologies, Below

Below Cover

So, here and in my newsletter, I’ve been dropping teasers about new releases for a while. But with all of them, I’ve been waiting on permission to talk about them. That permission has arrived and so I’m here to share the news.

First up, coming in August is Below, my new novella, released through Silver Shamrock Publishing on August 17th. With it coming from Silver Shamrock, I knew it was going to have cover art by Kealan Patrick Burke’s other-worldly Elder Lemon Design. What I had not anticipated, however, was that it would be this level of masterpiece:

To say I’m pleased with it is to downplay my emotional response a thousand fold. I’m confident the cover will sell copies of the book to people who’ve never heard of me and who have no idea what’s held within those 146 pages. And that, after all, is the idea.

What is within those pages, you might ask?

Here’s the synopsis: Nick has revered his grandfather his entire life. The absent hero, his namesake, buried alive in his final act of courage an ocean and thousands of miles away. Jess has outgrown her status as an all-action social media celebrity and the endless demands that come with it.

Adventure Travel TV has thrown this unlikely duo together, promising Jess the launchpad she craves and Nick the chance to tell his grandfather’s story first-hand, in the newly uncovered mine that still holds his remains from the twilight days of the gold rush. Is it a dream come true or a nightmare as someone or something stirs…BELOW.

Released August 17th, you can pre-order your eBook copy now or wait til nearer the release to get the paperback edition.

Watch out for my appearance on the Deadheadspace podcast in early August (hopefully among others) when I’ll be talking about the book.


Later in the year, there are two incredibly exciting anthologies featuring stories of mine.

The first of these is A Silent Dystopia. Edited by David T. Griffith and released through Demain Publishing, this book is a collection of stories set in Dave Jeffery’s A Quiet Apocalypse universe. If you’re not familiar with the subject matter, I strongly recommend you familiarise yourself with the original canon of three books A Quiet Apocalypse, Cathedral and The Samaritan.

Dave has been tremendously kind to me since I began writing and, to be asked to contribute a story to an anthology which explores a fictional world which has moved me so profoundly was one of the most surreal moments in my author-life to date.

My story in the book is titled ‘The Courier’ and features a smuggler called Saul, based in the south west of England and, I believe, is one of my strongest pieces to date.

‘The Courier’ will appear alongside stories by Steve Stred, Stephanie Ellis, J. A. Sullivan, John Palisano and others in a book that I hope and believe fans of the AQA series will really get a lot out of.

Finally, my story, ‘Refuge’, has been accepted to appear in another of this year’s most exciting anthologies. The first release from the brand new publishing house, Brigid’s Gate Publishing, Were Tales: A Shapeshifter Anthology features stories and poems of were-creatures. ‘Refuge’ is set in Sweden, and features a were-creature native to the norse region. It will sit alongside work by a multitude of incredible writers and poets, including Jonathan Maberry, Linda D. Addison, Stephanie Ellis, Eric J. Guignard, Stephanie M. Wytovich, Laurel Hightower, Cina Pelayo, Gabino Iglesias and many more. More news on this and A Silent Dystopia when pre-order links are live.

New story, ‘The Call of the Ocean,’ available now on Burial Day

I’m delighted to announce that a story of mine, ‘The Call of the Ocean,’ is today featured on the Burial Day website. Having recently announced three new entries to their incredible line-up of books, Burial Day also post short fiction stories once a month from established and up and coming authors. I’m ecstatic that they chose this one of mine to feature for the spookiest month of the year.

‘The Call of the Ocean’ is, thus far, a rarity for me in that it’s one of only two stories I’ve written which is set in Lisbon, where I live. I had a story published in late 2016, ‘Death Imitating Art,’ which won me a prize and rekindled my love of writing, but which is long since out of print. Besides that piece, while I’ve often used other places that my heavily travel-influenced life have taken me, Lisbon hasn’t really featured. I can’t tell you why that is, but I can tell you that I plan to correct it, once my novel WIP is out of the way.

My spot of Lisbon is the exact point where the Tejo river merges with the Atlantic ocean. I stare out at the water every single day of my life, while I have breakfast, while I work, etc. So, it’s natural I suppose that the ocean itself takes a central role in the story. Also featured are the sceneries of my childhood, when I spent seemingly endless summers on the Sussex coast, still one of my favourite parts of my former homeland.

The story is not for the faint hearted. I hope you enjoy it. Do let me know in the comments, or tweet me, @LisboetaIngles on Twitter.

Read the story here.