New story, ‘The Call of the Ocean,’ available now on Burial Day

I’m delighted to announce that a story of mine, ‘The Call of the Ocean,’ is today featured on the Burial Day website. Having recently announced three new entries to their incredible line-up of books, Burial Day also post short fiction stories once a month from established and up and coming authors. I’m ecstatic that they chose this one of mine to feature for the spookiest month of the year.

‘The Call of the Ocean’ is, thus far, a rarity for me in that it’s one of only two stories I’ve written which is set in Lisbon, where I live. I had a story published in late 2016, ‘Death Imitating Art,’ which won me a prize and rekindled my love of writing, but which is long since out of print. Besides that piece, while I’ve often used other places that my heavily travel-influenced life have taken me, Lisbon hasn’t really featured. I can’t tell you why that is, but I can tell you that I plan to correct it, once my novel WIP is out of the way.

My spot of Lisbon is the exact point where the Tejo river merges with the Atlantic ocean. I stare out at the water every single day of my life, while I have breakfast, while I work, etc. So, it’s natural I suppose that the ocean itself takes a central role in the story. Also featured are the sceneries of my childhood, when I spent seemingly endless summers on the Sussex coast, still one of my favourite parts of my former homeland.

The story is not for the faint hearted. I hope you enjoy it. Do let me know in the comments, or tweet me, @LisboetaIngles on Twitter.

Read the story here.

A final Treat from the Trickster and don’t miss Curfew

I’m freshly returned from a (socially distanced) holiday in Malta and have a few projects coming to fruition. First up is my story, ‘Shaft,’ which is featured in the latest (and final) edition of Trickster’s Treats, the annual halloween, charity anthology from Things in the Well. As you may know, after putting out almost forty excellent releases over the past few years, Steve Dillon has decided to call it a day running the press, to focus more on family life and his own writing. So many people have been given a break by Steve, myself included, with my first proper sale coming for ‘Warding’ in his anthology Below the Stairs: Tales From the Cellar, you can read more about that here.

But onto Trickster’s Treats 4: Coming, Buried or Not. This anthology has been edited by Louise Zedda-Sampson and Geneve Flynn, and it was a great experience, as Things in the Well anthos usually are, with some great editing bringing the most out of my story. The story is called ‘Shaft,’ but has nothing to do with a policeman who breaks all the rules. It’s set at Stonehenge in the UK, where a circular shaft was recently discovered nearby. That news story fused with the call for the anthology and the story kind of wrote itself. There is some visceral nastiness that I think and hope readers are going to get a thrill out of.

The cover art is great and there are more than 30 stories and poems in the book, AND the proceeds are going to an amazing cause, The Indigenous Literacy Foundation. You can read about the work they’re doing, here. So if you want to read mine and a host of other tales of terror, do pick up a copy either by pre-ordering or after its release on 26th September.


Curfew is the second release of mine to come through Demain Publishing’s Short Sharp Shocks range of titles. My first one, Cinders of a Blind Man Who Could See, first saw the light of day last April and was my first solo release. I’m pleased to say that novelette is still finding new readers today and, by and large, they seem to be enjoying it.

Curfew moves away from folk horror in a sense, yet retains certain elements of it. A small community, strange practices and the main characters as outsiders all feature here. But I do feel the vibe is different from both Cinders… and The Balance. I won’t say much more, as it’s not a terribly long tale and I don’t want to spoil it. For now, it is available only in eBook format, but it will be reproduced in paperback format early in 2021, and my short story ‘Haldjas,’ which was originally produced in audio on Hawk and Cleaver’s The Other Stories podcast, will be appearing in print for the first time.

Released this Friday, 18th September, you can pre-order your copy for just £0.77 in the UK and a similarly bargain $0.99 in the US, with similar prices on Amazons worldwide. Cover art and design is once again handled by the brilliant Adrian Baldwin, and I’d love to know how you get along with it, either here, in the comments or on Twitter @lisboetaingles.

Happy Book Birthday to The Balance & Thanks

The Balance Cover High QualitySo, today’s the day. The Balance is out! Seeing my book out there in the world, two and a half years after I first wrote ‘The end’ is a surreal feeling. But a satisfying one. Early reviews have been really positive and, while no book is ever going to be for everyone, I’m pleased it’s resonated with some of the readers who’ve read it to date.

As is the way with life, nothing is without its little hitches. Amazon delisted the release, two days before launch without any real explanation as to why. So, if you want to get hold of it and can’t wait for Amazon to sort themselves out, you can pick it up direct from the publisher, in eBook format here, audiobook here & paperback (in North America), here. Until May 4th, both eBook and audiobook can be picked up with 50% off, using the promo code StayAtHome .

If you do pick it up and check it out, please do leave an honest review on goodreads and/or amazon. It makes a world of difference. Aside from that, leave me a comment here on the website, or tweet me. I’d love to hear how you get on with it.

Finally, I just wanted to say a massive thank you to everyone in the horror community who has helped me to promote the release. To Kendall Reviews and the Gingernuts of Horror as well as S.J. Budd and Aphotic Realm, for hosting early reviews. To Sci-fi and Scary and Janine’s Ghost Stories for having me on for some really thoughtful interviews, to the fantastic writer Dave Jeffrey for his dream-come-true blurb of the book, to the Staring into the Abyss podcast team and just to anyone that has retweeted, shared or talked about The Balance to anyone. I try to thank everyone, but if I’ve missed you, THANK YOU so very much.

Now, it’s back to work on the new novel.

Cinders of a Blind Man Who Could See – Now Available in Paperback

Cinders PaperbackMy first ever solo release, Cinders of a Blind Man Who Could See, put out by the fabulous people at Demain Publishing, is now available in Paperback. With the original release almost a year ago now (its book birthday is less than three weeks away at the time of writing this post!), we wanted the paperback to be a bit special. So, having talked to Dean at Demain, we decided we would include a brand new, unpublished story, just for readers who pick up the paperback.

Cinders Paperback Rear

The story, ‘All My Bridges Burnt,’ is a very different sort of tale from ‘Cinders…’ It’s fast-paced and action-packed, and was based on a real-world urban legend of a haunting on the road in New Jersey, USA. It was great fun, reading up on the differing accounts of how the ghost-child manifests and then looking at the lay of the land on google maps and street view to get a sense of the geography.

I only hope that this bonus story is as well received as ‘Cinders…’ has been over the past year.

So, if you haven’t picked up Cinders of a Blind Man Who Could See yet, there’s never been a better time to do so. Order your copy here.

New story published in Strange Stories Volume 1

Strange Stories Vol 1Released yesterday, 14 January, was Strange Stories Volume 1, the first in a new bi-annual series of fantastical, pulpy stories from Forty-Two Books. Edited by Daniel Cureton, the anthology is available in paperback and hardback editions only at the time of writing and weighs in at more than six hundred pages, across forty-eight stories.

Among them is my story, ‘The Dry Flood,’ a story set in Valencia, Spain and inspired by the tragic events of the great Turia flood which occurred there in the 1950s.

The story finds police detective Rodrigo Lopez facing up to a repeat of his only ever unsolved case – one which defies logic and points to something very strange happening, in modern-day Valencia.

I hope readers will enjoy it. The protagonist, in particular, is one of my favourite characters I’ve ever written.

You can grab your copy, here.