New story, ‘The Call of the Ocean,’ available now on Burial Day

I’m delighted to announce that a story of mine, ‘The Call of the Ocean,’ is today featured on the Burial Day website. Having recently announced three new entries to their incredible line-up of books, Burial Day also post short fiction stories once a month from established and up and coming authors. I’m ecstatic that they chose this one of mine to feature for the spookiest month of the year.

‘The Call of the Ocean’ is, thus far, a rarity for me in that it’s one of only two stories I’ve written which is set in Lisbon, where I live. I had a story published in late 2016, ‘Death Imitating Art,’ which won me a prize and rekindled my love of writing, but which is long since out of print. Besides that piece, while I’ve often used other places that my heavily travel-influenced life have taken me, Lisbon hasn’t really featured. I can’t tell you why that is, but I can tell you that I plan to correct it, once my novel WIP is out of the way.

My spot of Lisbon is the exact point where the Tejo river merges with the Atlantic ocean. I stare out at the water every single day of my life, while I have breakfast, while I work, etc. So, it’s natural I suppose that the ocean itself takes a central role in the story. Also featured are the sceneries of my childhood, when I spent seemingly endless summers on the Sussex coast, still one of my favourite parts of my former homeland.

The story is not for the faint hearted. I hope you enjoy it. Do let me know in the comments, or tweet me, @LisboetaIngles on Twitter.

Read the story here.

A final Treat from the Trickster and don’t miss Curfew

I’m freshly returned from a (socially distanced) holiday in Malta and have a few projects coming to fruition. First up is my story, ‘Shaft,’ which is featured in the latest (and final) edition of Trickster’s Treats, the annual halloween, charity anthology from Things in the Well. As you may know, after putting out almost forty excellent releases over the past few years, Steve Dillon has decided to call it a day running the press, to focus more on family life and his own writing. So many people have been given a break by Steve, myself included, with my first proper sale coming for ‘Warding’ in his anthology Below the Stairs: Tales From the Cellar, you can read more about that here.

But onto Trickster’s Treats 4: Coming, Buried or Not. This anthology has been edited by Louise Zedda-Sampson and Geneve Flynn, and it was a great experience, as Things in the Well anthos usually are, with some great editing bringing the most out of my story. The story is called ‘Shaft,’ but has nothing to do with a policeman who breaks all the rules. It’s set at Stonehenge in the UK, where a circular shaft was recently discovered nearby. That news story fused with the call for the anthology and the story kind of wrote itself. There is some visceral nastiness that I think and hope readers are going to get a thrill out of.

The cover art is great and there are more than 30 stories and poems in the book, AND the proceeds are going to an amazing cause, The Indigenous Literacy Foundation. You can read about the work they’re doing, here. So if you want to read mine and a host of other tales of terror, do pick up a copy either by pre-ordering or after its release on 26th September.


Curfew is the second release of mine to come through Demain Publishing’s Short Sharp Shocks range of titles. My first one, Cinders of a Blind Man Who Could See, first saw the light of day last April and was my first solo release. I’m pleased to say that novelette is still finding new readers today and, by and large, they seem to be enjoying it.

Curfew moves away from folk horror in a sense, yet retains certain elements of it. A small community, strange practices and the main characters as outsiders all feature here. But I do feel the vibe is different from both Cinders… and The Balance. I won’t say much more, as it’s not a terribly long tale and I don’t want to spoil it. For now, it is available only in eBook format, but it will be reproduced in paperback format early in 2021, and my short story ‘Haldjas,’ which was originally produced in audio on Hawk and Cleaver’s The Other Stories podcast, will be appearing in print for the first time.

Released this Friday, 18th September, you can pre-order your copy for just £0.77 in the UK and a similarly bargain $0.99 in the US, with similar prices on Amazons worldwide. Cover art and design is once again handled by the brilliant Adrian Baldwin, and I’d love to know how you get along with it, either here, in the comments or on Twitter @lisboetaingles.

Half price promotion on The Balance eBook and Audiobook

After two months on sale, The Balance is doing better than I could possibly have hoped (all thanks to you readers!) To help more people find this fusion of Slavic folklore and ecohorror, Lycan Valley Press have decided to run a limited-time promotion, with the Ebook and audiobook both available for half price.

So pick up the eBook here.

Or the audiobook (lovingly narrated by Desmond Manny) here.

And don’t forget to use the coupon code Balance2020 at checkout. Note the capital B in Balance there, people.

If you do check it out, I’d love you to reach out to me and tell me what you think, via my contact page, on Twitter @LisboetaIngles or via Goodreads.

New audio story, ‘Lost and Found,’ available now on The Other Stories

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I’m delighted to share my creepy tale, ‘Lost and Found,’ with you, courtesy of the amazing people over at Hawk and Cleaver’s The Other Stories podcast. It’s the fourth entry in their ‘Remote places’ theme, which has featured some fantastic, scary tales. Here’s the log line:

When Sadie goes off hiking in the heart of the wilderness, Gemma seizes the opportunity to unwind with a raft of movies and bubbly. When she doesn’t come back and a storm rolls in though, Gemma begins to fear the worst.

When writing this one, it was all about the atmosphere, trying to capture the isolation of the forest. I hope I got it right.

Leave your opinion in the comments, or tweet me: @lisboetaingles

To listen, click the image above, listen on Spotify, below, or search for The Other Stories in your podcatcher.

The Balance – My Debut Novella – Coming 28 April

Balance Banner

It’s both a tremendously exciting and a terrifying time for me, as my debut novella now has a release date. On 28 April, The Balance will be available in all the usual online stockists, including Amazon, Barnes and Noble and so forth. The early release eBook and audiobook versions are available now, with versions appearing on Apple books, Audible and so on in the coming days and weeks. US readers can pre-order the paperback here. There are currently some problems with the Amazon listing of the book, so Kindle users will need to buy direct from the publisher at the link above.

Here’s the back cover synopsis for The Balance:

When myth becomes nightmare … The price of blood is always blood. The Balance Cover High Quality

Natalia’s in trouble. She only looked away for a second, and now her brother’s hurt. Her relationship with her mother is fractured, her brother’s condition is deteriorating, and her only hope lays deep in the unforgiving forest. A secret spoken only in whispers offers a way out. But when help comes in occult forms a sacrifice may be the only way to restore the balance. 

Humanity and nature collide in The Balance by Kev Harrison, a modern reimagining of the Slavic folk tale of Baba Yaga, set in Cold War Poland. 

Why Poland?

Though I’ve now lived and am very much settled in Portugal, I spent three incredible years of my life living and working in Poland. It was a place I knew little or nothing about when I arrived and one that shall now remain close to my heart and forever feel like home.

The person of Baba Yaga is just one of a multitude of characters woven into the fascinating (and often terrifying) folk lore of the Slavic nations. It’s easy to understand how dark folk tales manage to remain so vividly remembered and so present in modern culture when you consider the history of the place.

Few nations have had their borders redrawn as often as Poland and, of course, the scars of both World War II and its status as a Soviet client state throughout the cold war are particularly raw wounds. A friend of mine told me once, as I left the Schindler museum (from where Oscar Schindler saved thousands from execution) in a state of shocked silence, “You learn about history from books. We learn about it from our grandfathers.” Of course, a great many from Great Britain suffered immensely and gave their lives in the second world war, but the stories of Nazi occupation and the quasi-occupied state that followed liberation, with permanent states of rationing, corruption and constant fear for one’s life, explained much about the psyche of the people of the country. They also explained to me the way folk stories, myths and legends have retained their presence in society until today.

I chose this period of the Cold War, in a rural town, in the heart of a harsh Eastern European winter, as the perfect setting for supplies to run short and for desperation to lead people back to the old ways.

I’ll be writing more about The Balance in the coming weeks before the paperback release. In the meantime, here is a preview of the Audiobook, narrated by Desmond Manny: